Vision

Q: I just went over your minor pentatonic lesson, and never have I seen anyone explain chord/scale theory in such a straight forward no BS manner. I am an advanced intermediate level guitarist, with big expectations. I have a day gig and a family and want to know how to get the most out of the little time I have to practice everyday. Can you give me some pointers?

A: Expectations should be big my friend. Good for you. I talk a bunch about practice routines in this lesson on my site and in THE INFINITE GUITAR. It's hard to give specific advice without listening to you play and getting a handle on who you want to become, in other words, your vision. I can tell you though, this vision is almost everything. 

Finding The Right Chord

Q: One of my biggest songwriting problems is when I have a song in my head, and I'm figuring it out on guitar, and I tend to get a few chords into it and inevitably, it seems, there is an "elusive" chord that I can hear in my head but just can't seem to work out on the fretboard. Do you ever have this problem, and what do you do/how do you find it?

A: Theory will help you immensely in these situations. As I describe in chapter 18 of THE INFINITE GUITAR, composition is a matter of finding a chord for your melody note. There are basically two ways to do this (at least for me). The first is working with diatonic harmony. When we work with diatonic harmony, we basically are working within the chords in one key (sometimes using secondary dominant or borrowed chords). If you aren't getting this, start over here >>. If you understand intervals and chords this is actually pretty easy. Let's say you are writing in the key of C. The chords in the key of C are: C - Dmin - Emin - F - G - Amin - Bdim.